Maybe you too could look like an effortlessly chic cartoon character in your pastel floral dresses and stupid little berets, as Emily does at all times. Fold your shabby gray sweatpants (didn’t they used to be white?) and fantasize about strutting down the Champs-Élysées, munching on a croissant, and inexplicably going viral as hot men fawn after you and jealous Parisian women are eventually won over by your buoyant charm and business acumen. Perhaps the ultimate Chorecore show, Emily In Paris is about Emily in Paris, a young, bright-eyed, empty void of a woman discovering love and career success in the City of Lights-and always looking fabulous while doing so. Instead, just throw on one of the following programs from this curated list of the perfect Netflix Chorecore shows for each main household chore. So, the next time you find yourself reflexively tapping that Netflix icon on a rainy chore day, don’t waste valuable time scrolling for options. Regarding these programs, Netflix seems to say: look but don’t listen, listen but don’t look. It’s just kind of there, soulless drivel built for the smartphone era and the current anxiety epidemic (which definitely have nothing to do with one another) and conceived as escapist fodder to distract us from thinking too much about the totality of, well, just about everything. You don’t exactly watch Chorecore, nor do you talk about it, tweet about it, or ever really think about it ever again. Chorecore TV is, simply, TV to do chores to it is background noise and color, content (not art) designed with the express purpose to be consumed half-wittingly, like ginger between bites of sushi. This is the age of Chorecore TV, the type of audiovisual pig slop that has come to dominate Netflix’s business model. Keep scrolling and realize that there’s an endless supply of it-and we’re only getting more. Scroll through your homepage, and wedged in between the blockbuster movies and the TV critical darlings, you’ll find titles that range from nebulous genre fare to what you reason could only belong to gag names for fake 30 Rock shows, some of which bafflingly boast that “Top 10” badge in the corner. As Netflix’s continual efforts to reinvent itself and appease its shareholders suggest, the majority of its funds and attention of late has been showered onto the massive hits, leaving the runoff to trickle down to its slate of low-budget, low-stakes, and utterly low-artistry offerings. Mindhunter, Stranger Things, The Crown-these were big-budget, highly lauded shows that have represented the seemingly limitless creative vision of the streamer.Īnd then, there’s all the other stuff. Coming out of the gates with a bang, Netflix dropped full seasons of Orange Is the New Black and the David Fincher-backed House of Cards in 2013, immediately solidifying the movie-delivery service as a bona fide TV production house releasing visual content on par with that of premium cable. Nine-to-fivers get home, shimmy into their pajamas, and “put some Netflix on,” while skeezy frat stars across the nation may invite you over to “Netflix and chill.” It’s been an inevitable, and fairly warranted, victory for the streamer. Ever since its venture into original programming ten years ago, Netflix has prevailed as the go-to synecdoche for streaming entertainment.
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